The following is about the above movie (article extract is in italics)...
Salon: Johnny Depp’s Tonto misstep: Race and “The Lone Ranger”
The actor's turn as a Comanche character is another chapter in an ugly racial history, experts say
Johnny Depp has tossed on a lot of outlandish costumes in his long career. In the “Pirates of the Caribbean” franchise, he plays a buccaneer; in “Dark Shadows,” a vampire; in “Charlie and the Chocolate Factory,” an androgynous confectioner.
And with today’s new release “The Lone Ranger,” he’s adding “American Indian” to the pile of personas he’s tried on — and scholars of American Indian history are not pleased.
Depp, who has claimed in the past to have Indian heritage (a claim that Indian Country Today, a media network for the American Indian community, has contested), is playing Tonto, one of the longest-running Indian characters in American media. It’s also an intensely problematic one. Depp, who was adopted into the Comanche Nation after signing on to “The Lone Ranger,” claims that his role is a “salute” to American Indians, and “Smoke Signals” director Chris Eyre, an American Indian, has said, “I completely respect Johnny Depp for making this movie happen and for him to try and rewrite Tonto for a new generation.” Some critics, including Salon’s Andrew O’Hehir, have found bright spots in the film even while acknowledging the problems inherent in its casting. Depp has screened the film for the Comanche nation — with many leaders of various tribes in attendance — and Disney donated proceeds from the Los Angeles premiere to the American Indian College Fund.
But for all the trappings of enlightened cooperation, the new Tonto may read as more of the same — and less a salute than an insult.
Kinda like this cartoon?...
Injuns always yell like then when they mad
Tonto, the loyal sidekick of the Lone Ranger (played in the 2013 film by Armie Hammer), has evolved a great deal even prior to the current incarnation. “He may be the most pervasive American Indian character of the 20th century,” said Chadwick Allen, the coordinator for the American Indian studies program at Ohio State University and the author of a forthcoming book about Tonto. “And he’s purely fictional, unlike Pocahontas, Sacajawea, Crazy Horse, Sitting Bull or Geronimo. It’s not surprising he keeps getting recycled. He’s perfectly malleable for whatever the dominant fantasies are for native culture.”
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